The four seascape photographers were: Gustave Le Gray, Hiroshi Sugimoto, Garry Fabian Miller and Iain Stewart.
The image selection considers the Threshold topic with relation to: Inside/Outside, Public/Private, Known/Unknown, Ancient/Modern, Urban/Rural, Man/Nature, Before/After, Youth/Age, Safe/At risk, Comfort/Pain, Equality/Inequality, True/False, Life/Death, Defining moments - Global/Personal and how we carry our own limits (thresholds) with us.
The two books mentioned were : The Ongoing Moment - Geoff Dyer and The Poetics of Space - Gaston Bachelard.
Interior of Fingal's Cave, Staffa, after 1853, George Washington Wilson |
Fingal's Cave, Staffa, 1861, George Washington Wilson |
Crofters Dwellings, Skye, 1886 and A Poorhouse, 1886, George Washington Wilson |
St Kilda Parliament,1886 and Fowling, St Kilda, 1886, George Washington Wilson |
Vicinity of Naples, 1955, Minor White |
The Three Thirds, 1957, Minor White |
Goftare Nik, 2000, Shirana Shahbazi |
Looking East on Thirtieth Street on a Monday Morning in May, 2000, Joel Sternfeld |
Barn, Gaspé, 1936, Paul Strand |
The Outer Hebrides, 1954, Paul Stand |
Family, Luzzara, 1954, Paul Strand |
Four and Twenty, 2013, Katie Murray |
New Mexico, 1957, Garry Winogrand |
Untitled, 1962, Ralph Eugene Meatyard |
Boy in Ruined Building, Newark, NJ, 1967, Arthur Tress |
Mrs Lloyd and Miss Nettie Lloyd, 1939, Marion Post Wolcott |
Untitled, 1994, Richard Billingham |
Nan One Month After Being Battered, 1984, Nan Goldin |
Hobo, 1986, John Vink |
The Antique Dealer's Street, 1965, Marc Riboud |
Red Jackson in the Harlem Gang Story, 1948, Gordon Parks |
Parade, Hoboken, NJ, 1955, Robert Frank |
Loyalist Militiaman at the Moment of Death, Cerro Muriano, September 5, 1936, Robert Capa |
Dead German Guard in Canal, Dachau, 1945, Lee Miller |
A Harvest of Death, Gettysburg, Pensilvania, July 1863, Thimothy H. O'Sullivan |
Cuesta del Plomo, 1978, Susan Meiselas |
Army Troops See Atomic Blast, 1951, Associated Press |
Untitled, 1996, Collin Gray |
Untitled, 1996, Collin Gray |
Rue Laurence Savart, 1949, Willy Ronis |